A timely documentary, given the widespread criticism of police-related killings of black males, co-filmmakers Jodi Darby, Julie Perini, and Erin Yanke's Arresting Power presents a dismal rap sheet of bad behavior by officers in Portland, OR. The film's political stance is summed up by interviewee/author Kristian Williams, who doesn't want police reform but rather the outright abolition of police. Declaring that Oregon was founded as a white supremacist haven with anti-black laws remaining on the books almost up to contemporary times, the filmmakers examine past cases of police brutality and bullying, including an instance in which a despondent, bereaved black man was shot while a counselor was en route to help him, and another involving a black Marine who had just foiled a robbery only to be fatally choked by cops who assumed that he was the criminal. And then there was the “possum incident,” in which white cops dumped dead animals at a black-owned business for fun and seemed amazed that anyone took offense. According to activists and civil-rights figures, a powerful union protects these bad guys in blue (although no police spokesmen appear on camera). Subtitled “Resisting Police Violence in Portland, Oregon,” extras include a film premiere Q&A, bonus interviews, and a study guide. A low-budget (especially evident in some poor audio) documentary specifically aimed at Portland viewers, this should still be considered a strong optional purchase elsewhere due to the subject matter. Aud: C, P. (C. Cassady)
Arresting Power
(2015) 84 min. DVD: $40 ($125 w/PPR): public libraries; $250 w/PPR: colleges & universities. DRA. Collective Eye. Closed captioned. Volume 31, Issue 2
Arresting Power
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As of March 2022, Video Librarian has changed from a four-star rating system to a five-star one. This change allows our reviewers to have a wider range of critical viewpoints, as well as to synchronize with Google’s rating structure. This change affects all reviews from March 2022 onwards. All reviews from before this period will still retain their original rating. Future film submissions will be considered our new 1-5 star criteria.
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