Artaserse

This is the premiere recording of Johann Adolf Hasse's Artaserse (Hasse is credited with writing some 60 operas from 1721-71), one of the earliest works to be based on Pietro Metastasio's 1730 libretto (employed by more than a hundred composers over the years). A seminal opera seria, it is set at the Persian court, and focuses on the efforts of General Artabano to gain the throne, first by assassinating the king and then by trying to poison the king's son, Prince Artaserse. Suspicion, however, falls on Artabano's own son, Arbace, who is not only loyal to Artaserse but in love with the new king's sister (in complementary fashion, Artaserse pines for Artabano's daughter). All ends well, with the couples united and Artabano exiled rather than executed by Artaserse. The long piece resembles Handel's operas, with reams of recitative interrupted by demanding arias (either sprightly or morose as the moment requires), and very few ensembles. Although the acting is rudimentary, the vocalism is excellent, with Sonia Prina (Artabano), Anicio Zorzi Giustiniani (Artaserse), and Franco Fagioli (Arbace) all exhibiting great coloratura dexterity, and Maria Grazia Schiavo and Rosa Bove equally impressive as the female love interests, while the modern-instrument orchestra plays nimbly for Corrado Rovaris. The production is from the 2012 Valle d'Itria Festival in the Apulian town of Martina Franca, performed on a fairly bare outdoor stage at the ducal palace. The images are rather dark and the costumes—featuring modern military uniforms—are not especially attractive. But an alternative recording is unlikely, so this will appeal to anyone interested in the historical development of opera. Presented in PCM stereo, this is recommended. (F. Swietek)