Filmmaker Dover Koshashvili's English-language adaptation of the Chekhov novella bathes the author's work in shades of French Impressionism—specifically the bustles, parasols, and diffused light of Auguste Renoir. Government official Laevsky (Andrew Scott) sets the story in motion by running off to the Black Sea with Nadia (Fiona Glascott)—another man's wife—only to find out he doesn't love her and can barely afford to pay his bills. Nadia can't return to her husband, as that's no longer an option (although Laevsky takes a while to break the news of the man's death). Since all Laevsky does is drink, gamble, and complain, Darwinian zoologist Von Koren (Tobias Menzies) holds him in contempt, telling mutual friend Dr. Samoylenko (Niall Buggy), “He's as dangerous to society as the cholera microbe." Whether she doesn't know or care about Laevsky's financial woes, Nadia continues to run up debts for fancy clothes and encourages male admirers, but makes no plans to marry, even though she's now free to do so. When Laevsky makes plans to flee to St. Petersburg, a series of events follow that lead to the titular encounter. An atmospheric film, beautifully lensed by Paul Sarossy, this is recommended. (K. Fennessy)
Anton Chekhov's The Duel
Music Box, 95 min., not rated, DVD: $29.95, Blu-ray: $38.95, May 24 Volume 26, Issue 3
Anton Chekhov's The Duel
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