This emotionally harrowing Belgian film focuses on Olivier (Olivier Gourmet), a carpentry instructor at a vocational training center for troubled teenagers, whose life appears to be dull and ordinary until the arrival of Francis, a sullen blonde 16-year-old. Expressing an uncommon interest in Francis, much to the concern of Olivier's ex-wife since she immediately recognizes Francis as the boy who killed their only son in a robbery five years earlier, Olivier takes the youth (who is unaware of Olivier's identity) on as his apprentice. In fact, it soon seems as if Francis is being groomed as a replacement for Olivier's slain child…or does Olivier have another agenda? A highly disturbing and deeply compelling psychological drama that slowly builds to a remarkable conclusion, filmmakers Jean-Pierre and Luc Dardenne's (La Promesse, Rosetta) The Son works its cinematic magic at a barebones minimalist level, with very little dialogue, no music score, and handheld cameras that zero in on tight close-ups and the backs of the actors' heads and necks (Gourmet won the Best Actor award at Cannes, no mean feat considering that a large portion of his performance is filmed from behind). Not an easy film to embrace, but a wonderfully original and powerful drama nonetheless, this is highly recommended. Editor's Choice. [Note: DVD extras include a pair of subtitled interviews by Louis Danvers with filmmakers Jean-Pierre and Luc Dardenne (7-part, 32 min.) and with costar Olivier Gourmet (10-part, 33 min.), cast and crew text segments, a stills gallery, and trailers. Bottom line: a small extras package for a small but powerful film.] (P. Hall)
The Son
New Yorker, 100 min., in French w/English subtitles, not rated, VHS: $24.95, DVD: $29.95, May 25 Volume 19, Issue 3
The Son
Star Ratings
As of March 2022, Video Librarian has changed from a four-star rating system to a five-star one. This change allows our reviewers to have a wider range of critical viewpoints, as well as to synchronize with Google’s rating structure. This change affects all reviews from March 2022 onwards. All reviews from before this period will still retain their original rating. Future film submissions will be considered our new 1-5 star criteria.
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