Set in the Soviet Union in the 1960s, this complex, wrenching film tells the desperate story of Elena, a fiery, stop-at-nothing stage mother who will do anything (and does) to make sure that nothing interferes with her grown son Yuri's success as a concert pianist. To hear him play in Paris is Elena's simple (yet logistically difficult) dream. Yuri, the film's bland centerpiece, (whose only on-screen gift is his mane of golden hair) appears to be a serious artist but also a man in love with two women--one, a quiet, ethereal Jewish woman; the other, a boisterous and beautiful "full-bred" Russian. Given the time and setting of the story, political and religious oppression also have important, pivotal roles in the film. Tatyana Vasilyeva plays Elena with incandescent gusto and deservedly won a Russian Oscar for her performance. A dramatic and compelling cinematic timepiece that, aside from its poor subtitles, is testimony to the fine, clear-headed, and hearty filmmaking taking place in Russia in the 1990s, this is recommended. (A. Glover)
To See Paris and Die
(New Yorker, 110 min., in Russian w/English subtitles, not rated, avail. Nov. 11) Vol. 12, Issue 6
To See Paris and Die
Star Ratings
As of March 2022, Video Librarian has changed from a four-star rating system to a five-star one. This change allows our reviewers to have a wider range of critical viewpoints, as well as to synchronize with Google’s rating structure. This change affects all reviews from March 2022 onwards. All reviews from before this period will still retain their original rating. Future film submissions will be considered our new 1-5 star criteria.
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