The Story of the Last Chrysanthemum

Considered by most critics to be the first masterpiece by the great Japanese filmmaker Kenji Mizoguchi, the 1939 classic The Story of the Last Chrysanthemum is a story of art, love, and sacrifice in the world of kabuki theatre. The narrative centers on spoiled, arrogant actor Kikunosuke (Shôtarô Hanayagi), adopted son of a great kabuki master, who believes the glib flattery lavished on him by his father's friends and jaded geishas, until the family nursemaid—modest, honest peasant Otoku (Kakuko Mori)—confronts him with the truth of his hammy performances and his poor reputation, while encouraging him to improve. But Kikunosuke's family sends Otoku away, and he leaves the family troupe, determined to make it on his own. Again, Otoku appears to offer support, becoming his common-law wife although she is fully aware that once Kikunosuke proves himself and returns to Tokyo, she will have to leave him. Mizoguchi is not actually criticizing the social order that separates the classes here—which modern audiences might assume—but merely using it as the basis for a heartfelt tragedy. This is a film built on the belief that great art is worthy of huge sacrifice, even as it also recognizes that such sacrifice is as tragic as it is noble. Mizoguchi directs in lovely long takes while coaxing subdued performances that suggest the anxiety and emotion under the public show of manners. The film also features long scenes of classical kabuki performances, which add to its historical value. Presented with a new restoration, extras include an interview with film critic Phillip Lopate, and an essay by film scholar Dudley Andrew. Highly recommended. (S. Axmaker)