What if reality as we perceive it is nothing more than a computer-programmed one? This was the argument postulated by Philip K. Dick, author of The Man In The High Castle and Do Androids Dream Of Electric Sheep? at the 1977 sci-convention in Metz, France. Prior to the author’s disconcerting statement, this ontological interrogation has been paraphrased from Plato’s infamous "myth of the cave," and centuries later from Rene Descartes’ epistemological reiteration of the futility of human existence, and the very likely possibility that life as we know it could be just fruit of a demonic illusion that perpetually falsifies our perception.
Rodney Ascher, director of Room 237 and The Nightmare, takes a deep dive into the mind-shuttering realm of simulation theory. By relying upon remote interviews and animated montage, the director manages to brilliantly portray an array of concrete experiences which, as well as the post-Socratic philosophers, resonate with the works of Philip K. Dick, The Wachowski sisters' The Matrix, and the most recent and growingly popular scientific theory postulated by Nick Bostrom and Elon Musk. The audience is introduced to a higher understanding of the fabric of time and space that is capable of unlocking a new perception of consciousness.
A Glitch In The Matrix is a powerful statement of existential nature aimed to engage with a sense of higher self, who would probably suggest not take this game too seriously. However, by drawing attention to real tragic events centered on the renowned "Matrix defense", the documentarist clearly emphasizes the irreparable dangers of taking a polarized stance on the matter. Even If reality is indeed simulated which, as Philip K. Dick points out can neither be disproven nor verified—the way humans are programmed into either hermeneutically comprehending or dismissing their sense of self should not make anyone exempt from consequences. Highly recommended.