In 1994, artist Carrie Weems set out to create images of antebellum-era African Americans for a Getty Museum exhibit. These included images of the Zealy daguerreotypes, commissioned in the 1850s by Harvard zoologist Louis Agassiz. Harvard, learning of this unauthorized use, tried suing Weems.
Free Renty: Lanier vs. Harvard documents the struggle between artists and universities. It also explores issues of artistic expression and consent. How could Harvard lay claim to these images if they were taken without the consent of the subjects? Director David Grubin, known for his various PBS documentaries, explores this in the film’s 95 minutes.
The eponymous Lanier is Tamara Lanier, who sued Harvard in 2019 for the use of her ancestors (Renty and Delia, both featured in the Weems piece) images. The film serves dual purposes: it traces both the fight of artistic expression and is also an illuminating family history. Lanier dives into the lives led by Renty, Delia, and various other relatives. Grubin connects the two stories, using footage from Lanier’s legal team as they try to prove her family connection.
It is a staggering story and one that doesn’t let Harvard (which refused to comment) off the hook. Issues of moral authority, art, and the law all intersect. Grubin paints a profound picture here. Media librarians should include this educational documentary on academic library shelves. Free Renty: Lanier vs. Harvard would appeal to university students interested in African-American history and art history programs.
What is the Public Performance License fee for this educational documentary?
The Public Performance Rights are available for $125.00 from Collective Eye Films.