Known as a leading Beethoven pianist, Igor Levit: No Fear follows this renowned classical pianist over a two-year period as he embarks on a musical tour that will have him playing 108 concerts at a pace of one show every three days. It is clear this pace of performance creates some anxiety for Levit, but it is not just the pace of performance but his own struggle with what will come in the next phase of his life both as a person and performer.
Mixed within extended performances and rehearsals are discussions of where he will go next with his music. This anxiety also comes out as Levit shops for clothes and the transformation he has already gone through in his appearance as he lost the physical weight of his youth. A minor backdrop to this is the clear political engagement of Levit not only at a formal academic discussion but also through the clothes he wears and the messages they communicate. In the first half of the film, Levit’s dedication to his craft comes through in his technically flawless performances but also through his engagement with his craft as he rehearses.
When the COVID-19 pandemic hits during this period, Levit is able to pivot from performing live in concert halls to sharing his craft on social media. What is interesting for a leading Beethoven pianist is we are treated to the range of his musical interests. For those who may not be immersed in classical music and composers, we see Levit playing contemporary artists like Billy Joel. It is clear while there were struggles during the pandemic, this offered Levit freedom from the constraints of touring. While only touched on, a more in-depth look at how Levit’s politics influenced his work as a musician would have added an extra layer of complexity to understanding who he is as a person and pianist.
This feature-length film is told through an observational look at Levit’s life over these two years with glimpses into who he was as a child through photographs and a young man through recordings of his performances. More formal interviews could have brought out more context for who he is as a person. English subtitles are easy to read and do not distract from the visual experience on the screen. The one area where English subtitles were missing but would have been extremely helpful was with the social media posts. Viewers will feel as if they are missing important context for the transitions in the film.
This film is recommended for any library film collection but is highly recommended for any academic library that supports an active music performance and classical music program, as well as for any music library collection.
What subjects or college majors would benefit from the content covered in this film?
Igor Levit: No Fear offers an excellent understanding of the life of a professional classical musician/pianist.
What type of classroom would this documentary resource be suitable for?
This educational documentary is an excellent addition to any performance music classroom and especially appropriate for those discussing classical piano performance.
Does this film have Public Performance Rights available?
Yes, Igor Levit: No Fear can be purchased with public performance rights from EPF Media.