Filmmaker Eve Ma's short subject is part of an in-progress multicultural music series (focused on percussion) "Speaking of Rhythm." The charismatic subject is African drummer and recording artist Rasaki Aladokun, perhaps best known for performing with the great "juju" artist King Sunny Adé. T
he brief presentation is largely restricted to a single-set stage with director Ma as the on-camera interviewer (and occasional drummer trainee). Rasaki, now based in California and obviously, a pro at speaking to audiences, discusses the assorted instruments in the Nigerian/Yorubán drum tradition and their use in festivals, holidays, and ceremonies.
Additional clips (and one wishes there were more) show the Yorubá musicians in situ at a Shango festival and in other African scenes. The presentation makes the point that Africa is not one homogenous nation but an entire diverse continent; its melodies and traditions are rich and varied, with the Yorubá sound eminent among many.
Rasaki makes the point that he was self-taught, since he learned via imitation along with his musician-father, never receiving "formal" training himself. A closing-credit sequence of Rasaki jamming on drums with his small son is a sweet touch.
What public library shelves would this title be on?
Music, as well as pan-African shelves, should strike a proper beat with the title.
What academic subjects would this film be suitable for?
Music and world music (emphasis on percussion), as well as African studies, and perhaps ethnic anthropology could benefit from this drum circle.
What type of classroom would this documentary resource be suitable for?
The friendly, interactive presentation, short run-time, and Rasaki's engaging nature set a nice beat for upper elementary grades on up.