Viewers will find lots of grotesque violence in this purported “action film,” but most of the time an artsy, self-conscious, existentialist stillness—or tedium—reigns, although Danish filmmaker Nicolas Winding Refn was lauded at Cannes for his hyper-stylish, neo-noir direction. Set in Los Angeles, the plot pivots around a nameless, emotionless wheelman (Ryan Gosling) who ostensibly works as a movie stunt driver but is often hired by mobsters to drive their getaway cars. In fact, he's so adept behind the wheel that his garage-mechanic boss, Shannon (Bryan Cranston), wants to bankroll him to race stock cars. After helping out sweet-faced neighbor Irene (Carey Mulligan) at a nearby supermarket, the driver winds up becoming involved with her, along with her wide-eyed young son, Benicio (Kaden Leos), and her ex-con husband, Standard (Oscar Isaac). Also thrown into the mix is a pawn-shop heist that goes terribly wrong, which infuriates gangsters played by Albert Brooks and Ron Perlman. Adapted from James Sallis's titular novel, Drive barely delineates the cars-and-crime storyline, let alone defines individual characters and their psychological motivations. Still, despite the film's drawbacks, Gosling shines as a moody, monosyllabic loner, evoking memories of Steve McQueen, Clint Eastwood, and Lee Marvin. But his performance isn't enough to keep Drive from ultimately stalling out. Optional. [Note: DVD/Blu-ray extras include a “Drive Without a Driver” interview with director Nicolas Winding Refn (26 min.), the production featurettes “Under the Hood” (12 min.), “I Drive: The Drive” (6 min.), “Driver and Irene” (6 min.), and “Cut to the Chase” on stunts (5 min.), and trailers. Exclusive to the Blu-ray release is a bonus UltraViolet copy of the film and the BD-Live function. Bottom line: a solid extras package for a film likely to split viewers.] (S. Granger)
Drive
Sony, 100 min., R, DVD: $26.99, Blu-ray: $30.99, Jan. 31 Volume 27, Issue 1
Drive
Star Ratings
As of March 2022, Video Librarian has changed from a four-star rating system to a five-star one. This change allows our reviewers to have a wider range of critical viewpoints, as well as to synchronize with Google’s rating structure. This change affects all reviews from March 2022 onwards. All reviews from before this period will still retain their original rating. Future film submissions will be considered our new 1-5 star criteria.
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